01 · Work6 coordinates
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Everything else

A shorter index of Orion’s work, background, reading, and ways to reach him.

01 · Work
Current work

I founded United AI at Syracuse to give students across technical and nontechnical fields a place to learn, build, research, and take part in conversations around artificial intelligence.

The organization now has about 200 members. Roughly 50 students have participated in project teams, with work ranging from deployed software to university research collaborations. We also run build nights, workshops, public-impact programming, an AI Safety Fellowship, and the university-wide AI Summit.

My role covers organizational direction, partnerships, programs, fundraising, and a great deal of coordination across the student team and university.

Orion Goodman speaking with a microphone on stage in front of a row of flags.
At United AI Summit 2026.

At IACS, I work on behavioral and neuroimaging analysis for research on meditation, neuromodulation, and individual differences in subjective response.

My work has focused on reliability, statistical modeling, reproducible analysis, and the connection between behavioral outcomes and brain-network organization. The day-to-day work is usually less glamorous than the research question: definitions, data cleaning, assumptions, models, validation checks, and repeated revisions.

Research area
consciousness science, neuroimaging, neuromodulation
Methods
structural MRI, resting-state fMRI, diffusion MRI, behavioral modeling, reliability analysis, cross-validation, Python, R
Orion Goodman standing beside a lit sagittal-section brain artwork.
At the Institute for Advanced Consciousness Studies.

I served as a Claude Builder Ambassador, working directly with students who were learning to build with Claude and Claude Code.

Through workshops, build nights, and hands-on support, I watched people move into technical work that had previously felt out of reach. That experience gave me a close view of how quickly AI-assisted development changes the learning curve, especially for students entering unfamiliar technical domains.

The role also connected naturally with my work through United AI, where Claude became part of our broader effort to help students build, experiment, and develop stronger judgment around advanced AI systems.

Two students at an orange Claude table in a campus atrium.
Running a Claude table on campus.

Public Impact grew out of a question inside United AI: how do students examine technological change through policy, institutions, labor, access, democracy, and public understanding?

Civic Futures was our first small cohort built around that work. The program now feeds into a broader public-impact fellowship at Syracuse.

Earlier work

EnFlow was an early software project built around health data, calendar context, prediction, and AI-assisted guidance. Working closely with a mentor, I learned Swift, worked through machine-learning problems, and used AI heavily inside the development process. We eventually reached TestFlight.

The project changed my sense of technical range. I learned how far a person may move into an unfamiliar problem by learning during the build, while also seeing how quickly implementation sometimes outruns understanding.

A small side project combining EEG data, visualization, and optional Claude-assisted interpretation. The project started as a weekend-scale experiment across neurotechnology, software, and frontier AI.

Blatchley was my first sustained research experience. I worked with microscopy, organoids, image analysis, segmentation, and Python while learning the basic discipline of research inside a lab.

The experience also pushed me toward questions about biological organization and intelligence beyond familiar nervous systems.

At Hawaii Pacific Neuroscience, I worked in a clinical research environment with neurological data connected directly to patients and disease.

I learned research protocol, patient privacy, clinical neuroscience, and analysis while gaining a much clearer sense of the standards required for defensible scientific work.

02 · Notes

Reading, listening, and outside

Outside academic and organizational work, I spend a lot of time surfing, hiking, playing piano, reading, and listening to music.

MOST INSIGHTFUL READS

SOME PROFOUND SONGS

  • Cover art for Fantaisie-Impromptu in C-sharp minor, Op. 66
    Fantaisie-Impromptu in C-sharp minor, Op. 66

    Frédéric Chopin

    This is probably my favorite piece of classical piano.

    I'm a pianist, although nowhere near good enough to play it the way I want to yet.

    There are pieces of music where explaining why they matter feels almost beside the point.

    This is one of those for me.

    It reminds me that experience can have a kind of complexity that analysis does not replace.

    SpotifyApple Music

  • Cover art for Lose Yourself
    Lose Yourself

    Eminem

    I've known this song for years.

    I know most of it by heart.

    I come back to it when I need to remember that conviction still has to turn into action.

    There is a version of ambition that becomes performance.

    There is another version where you have to take the risk.

    This song has always hit that part of me.

    SpotifyApple Music

  • Cover art for World, Hold On — FISHER Rework
    World, Hold On — FISHER Rework

    This was one of the songs that pulled me into electronic music.

    I love how hopeful it feels.

    A lot of electronic music is intensely collective.

    Thousands of people who don't know each other can suddenly be completely inside the same moment.

    I think there is something important in that.

    SpotifyApple Music

  • Cover art for Root Down Deep
    Root Down Deep

    Sam Garrett, Mollie Mendoza

    This is a side of my music taste I probably talk about less.

    I like music that is explicitly trying to say something about how to live.

    Not in a self-help way.

    More like a reminder to get quiet enough to ask what you care about.

    I think young people have more agency to build from that place than almost any generation before us.

    I don't think we use enough of it.

    SpotifyApple Music

  • Cover art for Digital Dream
    Digital Dream

    Rebūke

    'We are all consumed by the digital dream, hardwired and transfixed like a broken machine.'

    'Our minds are trapped, have become overrun, clouded with illusion, zeros and ones, far from the existence that once strived for an advanced future.'

    Then the turn: 'Now that we are intertwined, it's time to detach from the wires that bind us.'

    'Surrender your inhibition. Let your thoughts align to the rhythm of the world that we try so hard to forget.'

    'Look up, take a breath, unplug your mind, and disconnect.'

    What I like is that the song is electronic music, completely digital and immersive, and yet it is asking me to step away from the screen.

    I have felt the first half. Locked in, attention fragmented, existing more in the feed than in the room.

    The second half is the part I want to practice. Not rejecting technology, but remembering I can look up.

    It works because it does not just complain. It uses the same immersive sound that can pull you in to remind you that you can also choose to step back out.

    SpotifyApple Music

03 · Background

Background

I grew up in the Bay Area and entered Syracuse as an aerospace engineering student. During my first year, my attention moved toward the brain, consciousness, and neuroscience, which led me into biomedical engineering and neuroscience.

Since then, research, AI, student organizing, and civic engagement work have gradually converged into the projects above.

Orion Goodman in a climbing harness on a suspension bridge in a fern forest.
Rotorua, New Zealand, 2025.
04 · Reach

Reach

I like long conversations, especially when neither person knows exactly where the conversation is going at the start.

If something here made you curious, gave you a disagreement, or brought someone to mind who I might learn from, send me a note.

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